PLURALEYES 4.1 TUTORIAL FOR FCP HOW TO
PLURALEYES 4.1 TUTORIAL FOR FCP PRO
PLURALEYES 4.1 TUTORIAL FOR FCP DOWNLOAD

So you need to start a new project after doing the Easy Setup. The speed problem actually gets baked in when you import your audio into the project. Update : Modified to make the cleaning up step even more thorough. The speed problem occurs when the sequence is created and any frame rate mismatch will be baked in and won't change, even if you change the Easy Setup. Update : Modified to make it clear that if you have a sequence created before you applied the right Easy Setup and re-started FCP, you also need to re-create that sequence from scratch. For any newly created sequences, the audio and video will play at the same rate with no need for a 99.9% speed change. Set the Audio Settings > Rate to the rate of your externally recorded audio (probably 48 kHz).Ĭhoose OK and then go to the Summary tab and choose Create Easy Setup. The important one is to change the Editing Timebase to 30 fps. Type in something appropriate for the name and description as shown and make two changes. Pick Apple ProRes 422 30p 48kHz, because it's close to what we want to end up with, and choose Duplicate.

PLURALEYES 4.1 TUTORIAL FOR FCP PRO

Go to the menu item Final Cut Pro > Audio/Video Settings.

PLURALEYES 4.1 TUTORIAL FOR FCP HOW TO

The following video tutorial shows both the problem and how to fix it. We're creating a new Easy Setup because none of the ones that ships with Final Cut is suitable. Here are the details on how to create an Easy Setup for video from a Canon 5D Mark II that has been transcoded to ProRes 422 (which seems to be the consensus recommendation for how to edit 5DMKII video, at least, if you've got FCP 6).

Create a new project and work with that.

You'll need to make changes that are appropriate for your video format, but they should be obvious. If you are using a different kind of video that is using a non-NTSC framerate, the following takes you through the steps to create the Easy Setup. Note that if you had already created a sequence before performing those steps, you need to throw it out and re-create it from scratch. Choose this Easy Setup, restart Final Cut and all should be good.

PLURALEYES 4.1 TUTORIAL FOR FCP DOWNLOAD

If you are editing video from a Canon 5D Mark II using the ProRes 422 codec, you can download the Easy Setup here and copy it to /Library/Application Support/Final Cut Pro System Support/Custom Settings. Fortunately you can prevent this from happening by using the right kind of Easy Setup. This seems like a bug to me-I can't imagine any situation where I would want it to do this. But what happens is that when you add an audio track to the timeline, Final Cut retains some memory of the NTSC settings and applies an NTSC adjustment to the playback speed of the audio. When you work with 30 fps material, you might expect that ensuring that the sequence frame rate is 30 (and not 29.97) would be enough to make things work. If you do a lot of work with NTSC video, your default settings in Final Cut might be something like HDV 1080p30 which has a framerate of 29.97 fps. Video from a DSLR and other still cameras is typically recorded with a frame rate of 30 fps. Details below, but first some background. The quirk has come to be known as the 99.9% problem: when audio is combined with 30 fps video, the audio speed (sometimes) needs to be adjusted by the NTSC factor of 99.9% (actually 1000/1001).įortunately there is a simple fix for this: use an Easy Setup for 30 fps. This has been discussed in recent blog postings (see, for example the comment at 9:45 of the Zacuto video here). If you are using Final Cut Pro with such video there is one quirk that you need to be aware of. Many non-traditional cameras shoot video at 30 fps instead of the more usual (in some parts of the world) NTSC rate of 29.97 frames per second (fps). This can be done manually or automatically using our PluralEyes product. The price to pay for these benefits is a small one: you need to synchronize the audio and video in post-production. It is particularly effective for video coming from a DSLR like the wildly popular Canon 5D Mark II. Since the quality of built-in mics and audio systems of cameras are generally not nearly as good as the video, dual-system is a convenient way to get high-quality sound. What is dual-system audio?ĭual-system audio is one name for the technique of recording audio and video on separate devices, and then combining them in post-production.

Pluraleyes 4.1 tutorial for fcp